Jay's creative works as a composer, author, visual artist, and performer include BRAIN. STORM.—commissioned and produced by Prospect Theater Company—and the award-winning INCREDIBLY DEAF MUSICAL seen Off-Broadway at the Marjorie S. Deane Little Theater and Duke on 42nd Street. His scores for films, plays, dance, aerial, and experimental projects that have been heard throughout the U.S., Canada, and Europe, including the Edinburgh Festival and Paris Pompidou; and his plays and monologues COMFORT PET, LIP-LOSS, and SEEING CLEARLY IN THE DARK, have been presented by Fault Line Theater. Visual music installations include using projection mapping to transform a 30 foot window into WINDOW MUSIC at the NY Academy of Medicine, surrounding singers with visualizations of their voices for ART/SONG at chashama Times Square, and assembling orchestras of musical robots with the EMMI bots at Spotify and LEMUR bots at LemurPlex for his show ROBOTICUS. Songbooks include THE RHYMES AND ROARS OF DINOSAURS and his NAUGHTY & NICE HOLIDAY SONGBOOK developed through over a decade of annual debuts at Lincoln Center, now available on Amazon.

Supertitles, captioning, lyric videos. Connects with Incredibly Deaf Musical, Globetitles, accessible script formats, article in DG magazine.

I first started using frequency analysis to transform audio into visual music with the installations Art/Song at chashama Times Square and Window Music for the Hearing Health Foundation, but am most known for being a DEAF COMPOSER. That contradiction has inspired all my creative work and accessibility innovations since I became Deaf. So scroll around to learn more about how I'm using musical robots, visual music, and data visualization to transform art and lives. Hope you enjoy visiting 🙂